Getting Ready For Youth Camera Action! 2011

CONGRATULATIONS TO OUR 2010 ALUMNI!

by Dagny Thompson
Planet in Focus

Our 2010 Youth Camera Action! alumni should get their DVDs and certificates right…about…now!

Congrats to all of you for taking part in the program. We’re gearing up for our 2011 YCA video program in August and are looking forward to the 11th downtown program AS WELL as our 1st program up in the Jane-Finch community. More info and registration forms are on our website. Click right here to get taken to the page–>HERE.

Got thoughts on the program? Suggestions? Ideas? We appreciate them all so SEND ‘EM!

Questions about the YCA program? Contact us at  yca@planetinfocus.org. We hope to see you at the camps!

Check out our 2010 videos online

The Making of “Breathtaking”


By Kathleen Mullen
Director of Programming
Planet in Focus

My father Richard Mullen died of Mesothelioma on September 29, 2003. Mesothelioma is a cancer caused by exposure to asbestos; it is terminal and has no known cure as of yet.  As my family came to terms with my father’s illness we began to learn a lot about asbestos and how it was used and how people can become exposed. We knew he had been exposed during his work as a project engineer for 40 years.

We soon discovered that even though for over fifty years companies have known that asbestos is carcinogenic for a long-time they did nothing to protect workers. In the present-day asbestos is still being mined in Canada the majority of which is shipped to developing nations. Only about 3 percent is actually used here in Canada.

With Breathtaking I wanted to tell my father’s story and that of so many others that I met along the way.

I am a filmmaker who is interested in telling stories. I was taking a lot of super 8 film and photographs of my family before my dad died so when he did die I decided that I would take those images and create more of a story about him. I wanted to tell his experience of getting mesothelioma and what that meant to me on a personal level and in addition find out as much as I possibly could about the use of asbestos today.  I didn’t want to stop at my families story I wanted to examine Canada’s role in still mining and exporting asbestos and the many workers and people still being exposed.

In short Breathtaking is a personal investigation into the landscape of asbestos use today, an autobiographical film, a testimonial of my family’s experience and a strategy for social awareness and change. Breathtaking is at its heart a documentary that searches for answers to both a personal and public question.

I live in Toronto so in order to make the film I would have to travel. I first went to my family’s home in British Columbia where my mother still lives and interviewed my mother and my three sisters.  From there I went to Quebec to find out what was happening; In Quebec the mines are still open. We went on a tour to the underground mine and the open-pit mine. It was fascinating and of course difficult as well. We walked around the town and met many people who spoke with us about the town and the work they did there. From Quebec I went to India where asbestos is now being exported. My sister Anne-Mary came along with me. She had moved home when my father got sick and helped my mother take care of him until he died.  She wanted to contribute to the making of the film.

In India we met many workers who had been exposed; Asbestos is used in drain-pipes and low-cost roofing. They told us their stories. We were able to attend an anti-asbestos press conference put on by Ban Asbestos India. Our time was spent travelling the country by train discovering the extent of exposure to asbestos. We came home from India more committed to the film than ever.

From India I came home and interviewed some experts about the use of asbestos in the past and today. Then I connected with Pat Martin, MP for Winnipeg Centre who told me about an asbestos awareness conference put on by the Asbestos Disease Awareness Organization Annual Conference (ADAO).  I went there for a few days and listened to the speakers, interviewed many of the people there and attended the memorial candle-lighting on the last day. It was very moving experience. I spoke with asbestos experts, family members who had lost someone to an asbestos-related disease and activists.  After Detroit I went back to my family’s home and spent more time interviewing my mother and my sister Anne-Mary.

The making of the movie took over five years. It was the most inspirational experience that I have had. I wish to share this film with a wider public. I hope to make some change on asbestos policy in Canada and globally.

Samaritan Magazine runs an In-depth interview with Breathtaking documentary director Kathleen Mullen, Director of Programming at Planet in Focus.

How to network at a film festival

by Allan Tong, Industry Programmer, Planet in Focus

If you’re a filmmaker, film festivals are good for two things: seeing new movies and making contacts.  What follows is a checklist of things to do before and during a film festival when you’re schmoozing with industry types (i.e. distributors, funders, producers) whom we shall call Heavies in this post.  At Planet in Focus the Heavies, from Telefilm to Bravo, will be available to meet you on Friday, October 15. These tips are based on personal experience and direct feedback from Heavies themselves:

1) Research, research, research: Hands-down this is the number one complaint from Heavies.  Too often a filmmaker meets them and has no idea what the Heavy or his company does.  Ask yourself: Do they fund documentaries, dramas and/or shorts?   What projects have they recently supported?  What projects are they looking for — and not?  When is their next funding deadline? Don’t forget basics like the Heavy’s full name and job title.  And knowing something about their bio doesn’t hurt.

2) Summarize your film:  Aka: a Pitch.  Talk about your film in 2-3 sentences tops.  Don’t babble on about what inspired you to write your masterpiece or the feelings of your main character.  You have only a few minutes with a Heavy who is constantly bombarded with pitches like a hockey goalie in shooting practice.  Start with genre, your hero, what that hero does and what opposition the hero faces.  Don’t give away the ending, but end with a cliffhanger to hook the Heavy.  Practice your pitch with friends.  Be concise and passionate.  If you’re excited, the Heavy will be.

3) Be polite & presentable:  Sounds obvious, but a nervous filmmaker can act too casually (i.e. calling the Heavy by first name).  Address the Heavy with “Mr.” or “Ms.” unless they allow you to use their first name.  Shake hands and smile. You don’t need to wear a suit, but don’t wear a Rolling Stones tour t-shirt either.  Oh, and don’t eat garlic or curry right before a meeting.

4) Know what you want: Before meeting a Heavy, ask yourself: What do I want to get out of this meeting? Don’t expect cash and a contract at your very first meeting, but do you want to gauge the Heavy’s interest in your idea?  Do you want them to see a script or treatment?  Or are you looking for career advice?  What exactly?  Know what you want, or you’ll be wasting your time — and theirs.

5) Have a business card: After your meeting how will the Heavy get in touch with you?  Remember, they don’t need to give out their card, but you should give them yours.  After a film festival I have dozen of cards stacked on my desk.  If I met you and you didn’t give me your card, how can I follow-up?  A one-sheet of your project is also good.

Good luck!