
Each year Tibetan children are found making a perilous journey across the Himalayas sent by their parents to join the Tibetan Diaspora in Nepal and India. In most cases they will never see their parents again. Beyond the Himalayas is a moving beautiful story of a particular group of Tibetan children who longingly hope to see their parents but who have entrusted themselves to their "mentor" who cares for them. The mentor too has some skeletons in his closet for which he tries to make amends.

Each year Tibetan children are found making a perilous journey across the Himalayas sent by their parents to join the Tibetan Diaspora in Nepal and India. In most cases they will never see their parents again. Beyond the Himalayas is a moving beautiful story of a particular group of Tibetan children who longingly hope to see their parents but who have entrusted themselves to their "mentor" who cares for them. The mentor too has some skeletons in his closet for which he tries to make amends.
Maria Blumencron is a drama graduate from the Vienna Conservatory. Between 1987-1996 she worked for various Austrian and German theatres and TV stations and is now a freelance author of radio and TV features. Some of her titles include The king has a bird – How Zwitschi invented the windmill (1998) and The children’s trek – Five children on their escape over the Himalayas (2000).

You don’t take everything away…you give something back. That is nature.
When the pharmaceutical industry got a hold of what is considered a profitable secret - the hoodia plant - it inspired filmmaker Rehad Desai to travel to the Kalahari to investigate global interest in ancient Bushmen knowledge. He meets Jan van der Westhuizen, a fascinating Khomani San traditional healer.
Jan's struggle to live close to nature is hampered by centuries of colonial exploitation. Unable to survive as they once did hunting and gathering, the Khomani now live in a state of poverty that threatens to see the last of this community. Who will pass on the knowledge of the land to its people and who can protect the plants that hold secrets and are a means to their survival?
This is a story of dispossession of the land, its inhabitants, their cultural and agricultural wealth.
Co-Presented by the Reel World Film Festival

You don’t take everything away…you give something back. That is nature.
When the pharmaceutical industry got a hold of what is considered a profitable secret - the hoodia plant - it inspired filmmaker Rehad Desai to travel to the Kalahari to investigate global interest in ancient Bushmen knowledge. He meets Jan van der Westhuizen, a fascinating Khomani San traditional healer.
Jan's struggle to live close to nature is hampered by centuries of colonial exploitation. Unable to survive as they once did hunting and gathering, the Khomani now live in a state of poverty that threatens to see the last of this community. Who will pass on the knowledge of the land to its people and who can protect the plants that hold secrets and are a means to their survival?
This is a story of dispossession of the land, its inhabitants, their cultural and agricultural wealth.
Rehad Desai completed a history degree at the University of Zimbabwe. In 1996 Rehad entered the TV and film industry as a producer and focused much of his energy on historical and socio-political productions. In 1997 he completed his Masters Degree in Social History at the University of the Witwatersrand. In 2000 he completed a postgraduate degree in TV and film producing through AVEA. His previous documentary, Born Into Struggle, screened internationally and garnered several awards.

Some people travel to Bolivia to go down the dangerous Silva mines, to witness contemporary medieval working conditions. Are they crawling through the dangerous tunnels to enrich their knowledge or to escape boredom? What does this say about eco-tourism?

Some people travel to Bolivia to go down the dangerous Silva mines, to witness contemporary medieval working conditions. Are they crawling through the dangerous tunnels to enrich their knowledge or to escape boredom? What does this say about eco-tourism?
Charlotta Copcutt studied documentary film-making and radio production at Biskops-arnö Folkhögskola and modern literature at the University of Lund. Currently she writes for an independent fanzine, gives workshops in cartoon drawing and helps children publish their own newspaper at a children’s’ library in Valparaíso, Chile.
Anna Weitz a journalist, studied documentary film-making and radio production at Biskops-arnö Folkhögskola, political science and political economy at the University of Lund and journalism at Skurups Folkhögskola.
Anna Klara Ahrén graduated from the tv/media program at Sturegymnasiet, Halmstad. She studied documentary film-making, radio production at Biskops-arnö Folkhögskola and ethnology at the University of Lund 2005. Currently she runs a cultural café in Halmstad and works as a mosaic artist.
Born to Palestinian/Jordanian immigrant parents, award-winning filmmaker and television writer Cherien Dabis has been recognized by the industry's top organizations and trade publications. A 2004 graduate of Columbia University's Masters of Fine Arts Film program, Dabis' short films have screened at some of the world's top film festivals. Itmanna (Make A Wish) is also an official selection of the 2007 Sundance Film Festival, Internationale Filmfestspiele Berlin as well as Clermont-Ferrand Short Film Festival. Most recently, Screen International listed her new project, Amreeka, as one of the "Ten Arab Films to Watch" in 2007.

In the midst of China’s booming industrial revolution, the city of Shanghai provides ample evidence of rising economic prosperity. With many businesses looking towards the future, Mr. Wong prefers to invest in the past. A wealthy Chinese-Canadian billionaire, Mr. Wong is spending his fortune salvaging historical buildings in Shanghai, discreetly under the radar of the Chinese government. His dream is to create a historical utopia, in which artistic and cultural exchange can flourish. Mr. Wong’s world is a compelling and critical look at the ethics, strategies and alliances necessary to preserve China’s past in the modern era.
Co-Presented by the Reel Asian Film Festival

In the midst of China’s booming industrial revolution, the city of Shanghai provides ample evidence of rising economic prosperity. With many businesses looking towards the future, Mr. Wong prefers to invest in the past. A wealthy Chinese-Canadian billionaire, Mr. Wong is spending his fortune salvaging historical buildings in Shanghai, discreetly under the radar of the Chinese government. His dream is to create a historical utopia, in which artistic and cultural exchange can flourish. Mr. Wong’s world is a compelling and critical look at the ethics, strategies and alliances necessary to preserve China’s past in the modern era.
Born in Berlin, Christian Schidlowski studied directing and script writing at ‘Deutsche Film- und Fernsehakademie’ in Berlin. In 2004 he graduated from the New York University with the documentary film 7 Days in the Life of My Friends. Since 2001 he has worked as an independent author, director and editor for various documentaries and reportages for national and international broadcasters.

Jussi, seems lost. A young Saami man in his twenties, he has watched his family sell their reindeer herd against his wishes. Having lived in Lapland his entire life he resents his brother’s decision to move south, abandoning the traditional Saami ways. When his brother comes home for a visit, Jussi is confronted once more with the choices now facing the community and his family. What will he decide? A quirky, bittersweet drama from Lapland, sure to resonate with Canadian audiences.

Jussi, seems lost. A young Saami man in his twenties, he has watched his family sell their reindeer herd against his wishes. Having lived in Lapland his entire life he resents his brother’s decision to move south, abandoning the traditional Saami ways. When his brother comes home for a visit, Jussi is confronted once more with the choices now facing the community and his family. What will he decide? A quirky, bittersweet drama from Lapland, sure to resonate with Canadian audiences.
Hanna Bergholm is now shooting a movie to be her diploma work and she will graduate soon from the University of Art and Design Helsinki UIAH, Department of Motion Picture, Television and Production Design.

“I was born beneath this water; I was ten years old when it happened,” says the young narrator.
A village condemned to disappear beneath the rising waters. Voices filled with emotion. Piece by piece their lives are broken down and relocated. All that remains are their memories.
It’s a common fact that people will move at some point in their life. But what happens when a village needs to be relocated and what has caused this momentous decision?
The village is Luz- in Portugal. It had to be relocated because of the construction of the Alqueva dam. Over the course of 6 years the filmmakers documented those most affected by this emotional process.

“I was born beneath this water; I was ten years old when it happened,” says the young narrator.
A village condemned to disappear beneath the rising waters. Voices filled with emotion. Piece by piece their lives are broken down and relocated. All that remains are their memories.
It’s a common fact that people will move at some point in their life. But what happens when a village needs to be relocated and what has caused this momentous decision?
The village is Luz- in Portugal. It had to be relocated because of the construction of the Alqueva dam. Over the course of 6 years the filmmakers documented those most affected by this emotional process.
Catarina Novrao has earned a BA in Law and received a postgraduate Diploma in Film and Television at the University of Bristol. In 2000 together with Catarina Alves Costa, Catarina launched the production company Laranja Azul where she works as Producer/Directors of Creative Documentaries. In 2002 she wrote here dissertation in Film with Commendation, “I spy with my little eye something beginning with W….In search of Women in Portuguese Fascist archive footage of the 30’s and 40’s” supervised by Dr. Jacqueline Mainegard at the Department of Film and Television, University of Bristol.

Do you ever wonder why there is always a line up at women’s public restrooms, and never one at the men’s? In North America, most would argue that it is a simple issue of biology, but in India perhaps it’s more a matter of design…
Q2P is a contemplative study of how gender and class inequalities are revealed through toilets; something we normally take for granted. Set in Mumbai, India, where women going to the loo alone is stigmatized, the film looks at who has to queue to pee, and how urban centre design becomes gendered by this social prohibition.
Co-Presented by the Female Eye Film Festival

Do you ever wonder why there is always a line up at women’s public restrooms, and never one at the men’s? In North America, most would argue that it is a simple issue of biology, but in India perhaps it’s more a matter of design…
Q2P is a contemplative study of how gender and class inequalities are revealed through toilets; something we normally take for granted. Set in Mumbai, India, where women going to the loo alone is stigmatized, the film looks at who has to queue to pee, and how urban centre design becomes gendered by this social prohibition.
Paromita Vohra is a filmmaker and writer. Her writing for film includes the feature films Khamosh Pani (dir: Sabiha Sumar) which she won the Best Screenplay award at the Kara Film Festival, 2003and the Indian adaptation of Ang Lee’s Eat Drink Man Woman (in Development, Dir: Arjun Sajnani) . She writes a fortnightly column in the Mumbai Mirror and is a regular contributor to various journals in India and internationally.
A young Albanian immigrant experiences repeated visions of an execution. The past veers its way into the present in this drama.
A young Albanian immigrant experiences repeated visions of an execution. The past veers its way into the present in this drama.
Before embarking on a career as a filmmaker, Maurici Jimenez was employed at small production company in the department of production and development. Roosters is his first short film.
Water is life!
A dire shortage of water leads the people of a sub-Saharan village to pack up their goats and cattle and head off across the sands in search of a more dependable source. Traveling without a map, village school teacher Rahne (Issaka Sawadogo) makes the courageous decision to go east with his wife Mouna (Carole Karemera Umulinga, - HBO’s Sometimes in April, 2005) and their three small children.
Sounds of Sand is a dramatic tale of exodus, survival and hope. It is also a parable about determination that brings us into the footsteps of Shasha. Shasha is a nomad child full of the joys of life, whose tenacity and strength will conquer her father’s love when everything else seems lost. The film is based on the novel Chamelle by Marc Durin-Valois.
Community Partners: Deloitte & the Student Association of George Brown College
Water is life!
A dire shortage of water leads the people of a sub-Saharan village to pack up their goats and cattle and head off across the sands in search of a more dependable source. Traveling without a map, village school teacher Rahne (Issaka Sawadogo) makes the courageous decision to go east with his wife Mouna (Carole Karemera Umulinga, - HBO’s Sometimes in April, 2005) and their three small children.
Sounds of Sand is a dramatic tale of exodus, survival and hope. It is also a parable about determination that brings us into the footsteps of Shasha. Shasha is a nomad child full of the joys of life, whose tenacity and strength will conquer her father’s love when everything else seems lost. The film is based on the novel Chamelle by Marc Durin-Valois.
Marion Hänsel was born in 1949 in Marseille and grew up in Antwerp. She set up her own company, “Man’s Films” in 1977, in order to make her first short film. The Bed was her first feature film. In 1987, Marion Hänsel was named Belgian “Woman of the Year”. From 1988 until 1990, she was elected President of the French Community Film Selection Board. She was re-elected as President in 1996-1997 and in 2002-2003.

Stig-Anders is considered an anomaly by his neighbors and those who know him. With his horses as his main companions, he lives alone on a farm in the southern forests of Sweden, with little connection to the modern world. He romanticizes the past and refuses to give up his old way of life. The horseman falls on hard times when a furious storm hits his beloved forest, causing him to be hospitalized. Away from his farm he has little reason to live, until a friend from the past helps him find his way home. A beautifully shot and intimate portrait study of one mans relationship to the land, and to the past which he refuses to leave behind.

Stig-Anders is considered an anomaly by his neighbors and those who know him. With his horses as his main companions, he lives alone on a farm in the southern forests of Sweden, with little connection to the modern world. He romanticizes the past and refuses to give up his old way of life. The horseman falls on hard times when a furious storm hits his beloved forest, causing him to be hospitalized. Away from his farm he has little reason to live, until a friend from the past helps him find his way home. A beautifully shot and intimate portrait study of one mans relationship to the land, and to the past which he refuses to leave behind.
Peter Gerdehag is one of Sweden’s most published photographers, with a forty year career working for newspapers, magazines and books. His specialties are nature and the landscape cultivated by man. He made transition to film making with the highly acclaimed film Bondens tid på jorden (The Life and Death of a Farmer). The Incredible Horseman is his second film, also shot in a rural landscape. Peter’s remarkable camera work gained him a nomination for a “Golden bug”, Sweden’s highest film award, for his work.
Tell Johansson is a young, talented film editor, who has been awarded for almost every film he has worked on. He has co-directed both films by Peter Gerdehag.

The Lacandones lived for centuries hidden in the immense rain-forest of southern Mexico. A people of many myths, speaking an ancient Mayan language they had a unique knowledge of the forest, its plants and its animals. Recently they have been exposed to evangelical religion and modernizing influences, which has resulted in the loss of cultural knowledge from one generation to the next. Bor, an illegal immigrant in the United States returns to his Lacandones family in search of his identity. Knowing little about his past he meets one of the last remaining shamans who provides him with an alternate sense of the world and a spiritual experience. Meanwhile, the ravages of modernity on an ancient culture have left their scars on his immediate family.

The Lacandones lived for centuries hidden in the immense rain-forest of southern Mexico. A people of many myths, speaking an ancient Mayan language they had a unique knowledge of the forest, its plants and its animals. Recently they have been exposed to evangelical religion and modernizing influences, which has resulted in the loss of cultural knowledge from one generation to the next. Bor, an illegal immigrant in the United States returns to his Lacandones family in search of his identity. Knowing little about his past he meets one of the last remaining shamans who provides him with an alternate sense of the world and a spiritual experience. Meanwhile, the ravages of modernity on an ancient culture have left their scars on his immediate family.
Peter Torbiörnsson was born in Sweden 1941. Since 1979 he has produced more than 20 documentaries from Latin America, Africa, Bosnia and Sweden. Among those was a series of films about a family in San Fernando, a small village in northern Nicaragua - The Border (1985), Reyno (1987), The Ceasefire (1988) and The Lovers of San Fernando (2001). Peter has also works as a journalist and foreign correspondent för Swedish newspapers Arbetet and Aftonbladet as well as Swedish Radio and TV (SR and SVT).
A man wakes up to discover that his home and way of life are being destroyed due to urban development. An experimental animated short depicting the harsh displacement of communities in developing nations due to economic progress.
A man wakes up to discover that his home and way of life are being destroyed due to urban development. An experimental animated short depicting the harsh displacement of communities in developing nations due to economic progress.
Aditi Chitre is a painter/ animation artist based in Mumbai and also works as a freelance story board artist and illustrator. The Mall on Top of My House is her first film. She trained as a painter from the faculty of fine art (BFA 2004), Msu Baroda, Gujarat and recently held her first exhibition of paintings in Mumbai. She also freelances as an art and film reviewer for mattersofart.com.

When explorer Robert Peary sojourned to the Pole he not only left a historic legacy but a personal one with tragic implications for the people whose lives he had altered forever. Prize of the Pole follows the sombre contemporary journey of one of Peary’s Inuit descendants who attempts to reconcile the motives and actions of his white ancestor’s quest for glory in an imperial age. This unique film intersects the lives of three men over time and space revealing their own attempts to come to terms with the opposing cultural ties within them. A profoundly moving multi-textured and layered story leaves one confounded by the racist attitudes displayed and the lives destroyed in the wake of the Prize of the Pole.

When explorer Robert Peary sojourned to the Pole he not only left a historic legacy but a personal one with tragic implications for the people whose lives he had altered forever. Prize of the Pole follows the sombre contemporary journey of one of Peary’s Inuit descendants who attempts to reconcile the motives and actions of his white ancestor’s quest for glory in an imperial age. This unique film intersects the lives of three men over time and space revealing their own attempts to come to terms with the opposing cultural ties within them. A profoundly moving multi-textured and layered story leaves one confounded by the racist attitudes displayed and the lives destroyed in the wake of the Prize of the Pole.
Staffan Julén was born in 1957 in Stockholm. He currently works as a film photographer and director. In addition to The Prize of the Pole, other works include Åter till Runö - svenskön i exil and Inughuit - folket vid jordens navel (1985).

The Third Ward is a neighborhood in Houston, Texas that was historically populated by African-Americans. However, in the 60’s the city ran a highway through the area isolating 30, 000 people; dividing and wrecking the tight, vibrant community that once was.
Later in 90’s a group of artist developed The Row House Project with a mission to bring life back to the community through the love of art. In the process, these artists-turned-activists transformed lives - starting with their own.
Third Ward TX is a revealing look at a community's struggle to survive - from segregation to the limited promise of integration, from drug wars to the economic challenges of gentrification. It is a story of imagination and hope, passed along person to person through the love of art and community.

The Third Ward is a neighborhood in Houston, Texas that was historically populated by African-Americans. However, in the 60’s the city ran a highway through the area isolating 30, 000 people; dividing and wrecking the tight, vibrant community that once was.
Later in 90’s a group of artist developed The Row House Project with a mission to bring life back to the community through the love of art. In the process, these artists-turned-activists transformed lives - starting with their own.
Third Ward TX is a revealing look at a community's struggle to survive - from segregation to the limited promise of integration, from drug wars to the economic challenges of gentrification. It is a story of imagination and hope, passed along person to person through the love of art and community.
Andrew Garrison is an independent filmmaker who has worked on documentaries dealing with issues of community, culture and poverty. Garrison is the recipient of fellowships from the Guggenheim and Rockefeller Foundations, the NEA and the American Film Institute. Andrew lives in Austin, Texas where he teaches film production at the University of Texas.

Co-existence seems futile between man and tiger; it looks as though the tiger’s time is almost up. Even as it dominates their history, religion and mythology, the tiger is quickly disappearing in India. The demand to accelerate economic progress and development is leaving the tiger more vulnerable than ever. Rising tensions between the tigers and human forest tribes are inevitably volatile, as both populations struggle to survive. The tiger remains a powerful symbol of the natural world to some, but a curse to others; what will become of the Indian tiger?

Co-existence seems futile between man and tiger; it looks as though the tiger’s time is almost up. Even as it dominates their history, religion and mythology, the tiger is quickly disappearing in India. The demand to accelerate economic progress and development is leaving the tiger more vulnerable than ever. Rising tensions between the tigers and human forest tribes are inevitably volatile, as both populations struggle to survive. The tiger remains a powerful symbol of the natural world to some, but a curse to others; what will become of the Indian tiger?
Krishnendu Bose acquired a Masters degree in Economics from Delhi School of Economics (1985). In 1988 he began making documentaries on conservation and development politics. Currently he conducts workshops in schools and colleges on understanding environment conservation using films as a medium. Krishnendu was selected by Rockefeller Foundation, USA, for their international training program on Environment and Development, 1994-97, and was invited by Environmental Investigative Agency (EIA), UK, to attend the Elephant conference at Johannesburg in May 1997 and present his film on Asian elephants.
In Iceland, a landscape is being submerged under 57 square kilometers of water to create a reservoir for the purpose of providing hydroelectric power to a nearby Alcoa aluminum smelter. An irreversible transformation of a pristine wilderness creates a lingering sense of loss and displacement.
In Iceland, a landscape is being submerged under 57 square kilometers of water to create a reservoir for the purpose of providing hydroelectric power to a nearby Alcoa aluminum smelter. An irreversible transformation of a pristine wilderness creates a lingering sense of loss and displacement.
Erika MacPherson uses video and electronic media to investigate the intricate relationship of choice and chance. As a community activist, her artistic vision is to interpret the narrative inherent in the most profound determinants on survival - the environment as well as inter-relationships and concepts of co-creation. Her pieces have screened at festivals from the San Francisco Gay Lesbian to Transmediale in Berlin, as well as Vancouver International to the Edinburgh Fringe.