
An activist film about the fight to preserve our natural lands, 49 Megawatts reveals how the province of British Columbia is leasing its rivers to private power companies in order to meet the growing demand for energy. Filmmaker Bryan Smith gives a sombre view of the development of Canadian lands, and a community’s resistance to save it.

An activist film about the fight to preserve our natural lands, 49 Megawatts reveals how the province of British Columbia is leasing its rivers to private power companies in order to meet the growing demand for energy. Filmmaker Bryan Smith gives a sombre view of the development of Canadian lands, and a community’s resistance to save it.
Bryan Smith is an adventure filmmaker out of Squamish, British Columbia. He directs and produces both whitewater and sea kayaking films. His first documentary 49 Megawatts has been acclaimed both for its amazing kayaking footage and for exposing the controversy over British Columbia’s river based energy production.
A team of adventurous scientists and filmmakers, aboard the Canadian sailing ship SEDNA IV document the impact of climate change in Antarctica. On the remote, windswept islands of South Georgia they encounter a spectacular gatherings of penguins, albatross and fur seals who depend on huge swarms of shrimp-like zooplankton called krill, which are the driving force of the vast Southern Ocean food web. On, Bird Island, only four hectares, researchers discover that climate changes, starting half a world away, are having a devastating impact on the krill-eating predators. Fur seals and gentoo penguins are telling us that changes to ice formation and temperatures in Antarctica are at the heart of the problem. Islands at the Edge bears witness to a changing world.
A team of adventurous scientists and filmmakers, aboard the Canadian sailing ship SEDNA IV document the impact of climate change in Antarctica. On the remote, windswept islands of South Georgia they encounter a spectacular gatherings of penguins, albatross and fur seals who depend on huge swarms of shrimp-like zooplankton called krill, which are the driving force of the vast Southern Ocean food web. On, Bird Island, only four hectares, researchers discover that climate changes, starting half a world away, are having a devastating impact on the krill-eating predators. Fur seals and gentoo penguins are telling us that changes to ice formation and temperatures in Antarctica are at the heart of the problem. Islands at the Edge bears witness to a changing world.
Caroline Underwood and John Lemire have collaborated on numerous projects under the Glacialis Inc. label, from their award winning Arctic Missions Series to the recent Antarctic Mission Series. Ms.Underwood has made more than twenty award-winning documentaries for the CBC's documentary series The Nature of Things and is recognized as one of Canada's best environmental filmmakers, always at the centre of natural history, conservation, and environmental issues; her documentaries reveal the beauty, complexity and fragility of some of the planet's last great wildernesses. Mr. Lemire, a biologist and filmmaker transformed his ship the SEDNA IV into a floating classroom. A hero in Quebec, he is widely is known for his acclaimed film The White Planet.

À l’extrême Sud de notre planète, la vie semble déconnectée du reste du monde. Sur les îles sub-antarctiques ou encore sur les rives du grand continent de glace, les humains ne sont que des prédateurs de passage. Là-bas, manchots, phoques, baleines et albatros sont rois. Leur adaptation au climat extrême leur permet de profiter de ces zones d’abondance, où l’Homme n’a pas encore trouvé le moyen de tout exploiter. Dernier continent vierge de la planète, l’Antarctique ne s’offre qu’à ceux et celles qui le méritent. Pendant une année, l’équipage du SEDNA IV naviguera sur les mers les plus hostiles de la planète, pour témoigner des nouvelles menaces qui guettent ce secteur méconnu de notre planète. Au rythme des saisons, nous assisterons aux grands cycles de cette vie australe, riche et spectaculaire. En se questionnant sur le fonctionnement de cet écosystème unique, nous découvrirons toute sa fragilité.
Special Guests: TBA

À l’extrême Sud de notre planète, la vie semble déconnectée du reste du monde. Sur les îles sub-antarctiques ou encore sur les rives du grand continent de glace, les humains ne sont que des prédateurs de passage. Là-bas, manchots, phoques, baleines et albatros sont rois. Leur adaptation au climat extrême leur permet de profiter de ces zones d’abondance, où l’Homme n’a pas encore trouvé le moyen de tout exploiter. Dernier continent vierge de la planète, l’Antarctique ne s’offre qu’à ceux et celles qui le méritent. Pendant une année, l’équipage du SEDNA IV naviguera sur les mers les plus hostiles de la planète, pour témoigner des nouvelles menaces qui guettent ce secteur méconnu de notre planète. Au rythme des saisons, nous assisterons aux grands cycles de cette vie australe, riche et spectaculaire. En se questionnant sur le fonctionnement de cet écosystème unique, nous découvrirons toute sa fragilité.
Caroline Underwood and John Lemire have collaborated on numerous projects under the Glacialis Inc. label, from their award winning Arctic Missions Series to the recent Antarctic Mission Series. Ms.Underwood has made more than twenty award-winning documentaries for the CBC's documentary series The Nature of Things and is recognized as one of Canada's best environmental filmmakers, always at the centre of natural history, conservation, and environmental issues; her documentaries reveal the beauty, complexity and fragility of some of the planet's last great wildernesses. Mr. Lemire, a biologist and filmmaker transformed his ship the SEDNA IV into a floating classroom. A hero in Quebec, he is widely is known for his acclaimed film The White Planet.
With the US at war in Iraq, rushing to secure the flow of oil from the Middle East, a concurrent race is happening right now closer to home on American soil.
Home to some of the most pristine landscapes in the United States, the American Rockies are under threat. Shortly after the Bush administration came to power in 2001, they granted the leasing of all American public lands to oil and gas industries. With rich pools of oil and natural gas spanning from Montana to New Mexico, a war has broken out between citizens who’ve lived on the land for generations, and the US government willing to destroy it for just a few days supply of energy. A sobering story about the current administration’s exploitation of its land and its people.
With the US at war in Iraq, rushing to secure the flow of oil from the Middle East, a concurrent race is happening right now closer to home on American soil.
Home to some of the most pristine landscapes in the United States, the American Rockies are under threat. Shortly after the Bush administration came to power in 2001, they granted the leasing of all American public lands to oil and gas industries. With rich pools of oil and natural gas spanning from Montana to New Mexico, a war has broken out between citizens who’ve lived on the land for generations, and the US government willing to destroy it for just a few days supply of energy. A sobering story about the current administration’s exploitation of its land and its people.
Mark Harvey a native of Colorado taught at the National Outdoor Leadership school for several years, leading trips in Wyoming, Mexico, and Chile. His book, The National Outdoor Leadership School's Wilderness Guide, won the National Outdoor Book Award in 2000. Harvey has worked as a writer, photographer, and filmmaker, winning the Aspen Shorts Fest in 2003 for his documentary short on composer Ray Vincent Adams. He has served on various boards, including High Country News, Aspen Center for Environmental Studies, and Ecoflight.
"It don't grow back."
Here is something to ponder. If a tree falls in the forest with no one there to hear it does it make a sound?… Likewise if a mountain is chopped away will it grow back? Mountain Top Removal examines the controversial coal mining practice that occurs throughout Southern Appalachia in the US. Slow removal of coal from this mountainous region is resulting in leveled forests, destruction of communities and threatened water supplies Though, coal might be the cheapest domestic fuel source, it releases carbon dioxide into the atmosphere and its runoffs poison the groundwater.
Ed Wiley, a grandfather, brought his concerns about mountain top coal removal to the Governor of Virginia’s office and then marched from Charleston to Washington, DC bringing awareness to the threatened school that his grandchild attends near a mining site.
Passions run high for those most affected by mountain top removal at a time when 50% of the nation’s electricity supply depends on coal.
"It don't grow back."
Here is something to ponder. If a tree falls in the forest with no one there to hear it does it make a sound?… Likewise if a mountain is chopped away will it grow back? Mountain Top Removal examines the controversial coal mining practice that occurs throughout Southern Appalachia in the US. Slow removal of coal from this mountainous region is resulting in leveled forests, destruction of communities and threatened water supplies Though, coal might be the cheapest domestic fuel source, it releases carbon dioxide into the atmosphere and its runoffs poison the groundwater.
Ed Wiley, a grandfather, brought his concerns about mountain top coal removal to the Governor of Virginia’s office and then marched from Charleston to Washington, DC bringing awareness to the threatened school that his grandchild attends near a mining site.
Passions run high for those most affected by mountain top removal at a time when 50% of the nation’s electricity supply depends on coal.
Michael Cusack O’Connell is an award winning cinematographer/director based in Pittsboro North Carolina. In 2005 his Independent production company Haw River Films released the musicalmentary Grassroots Stages, which was distributed nationally on PBS. Mountain Top Removal is the second documentary feature from Haw River Films.
With the onset of peak oil looming over the world as a spectre, a crucial conversation has begun, to seek solutions for coping with depleting levels of oil. We can learn lessons from the only country to have survived such a peak oil crisis: Cuba.
The collapse of the Soviet Union in 1990 drew Cuba into an economic catastrophe. Overnight, the country lost more than half of its oil imports and 80 percent of its food capacity. Against all odds, the country coped remarkably well by creating a sustainable local economy focusing largely on organic agricultural methods while preserving Cuba’s socialist ideals.
With the onset of peak oil looming over the world as a spectre, a crucial conversation has begun, to seek solutions for coping with depleting levels of oil. We can learn lessons from the only country to have survived such a peak oil crisis: Cuba.
The collapse of the Soviet Union in 1990 drew Cuba into an economic catastrophe. Overnight, the country lost more than half of its oil imports and 80 percent of its food capacity. Against all odds, the country coped remarkably well by creating a sustainable local economy focusing largely on organic agricultural methods while preserving Cuba’s socialist ideals.
Faith Morgan is a board member of Community Service, Inc., (CSI) a non-profit organization founded in 1940 to research and promote small communities. Faith traveled to Cuba three times to study the after effects of the fall of the USSR, when over half of Cuba's oil subsidies were suddenly cut off. She felt it important for the organization to tell the story of this major social disaster and Cuba's creative response to living without cheap and abundant oil. Morgan, a painter, potter, sculptor, and writer turned to film for the first time to tell this story.
The Inuit call ice Saattuq and its melting. In the High Arctic, climate change is not a debate. It’s a visceral fact of life transforming the lives of its people, its landscape and wildlife. Thin Ice provides a comprehensive overview of the impact of climate change on our Polar region. The film also presents the broader discussion over sovereignty and control of the arctic waters while melting ice presents new challenges and new perspectives on our vision of the north.
The Inuit call ice Saattuq and its melting. In the High Arctic, climate change is not a debate. It’s a visceral fact of life transforming the lives of its people, its landscape and wildlife. Thin Ice provides a comprehensive overview of the impact of climate change on our Polar region. The film also presents the broader discussion over sovereignty and control of the arctic waters while melting ice presents new challenges and new perspectives on our vision of the north.
Laura O'Grady has produced a number of primetime documentaries for the Global network, including Recruiting For Terror, Tweens: Too Fast, Too Soon? and After the Tsunami: Rebuilding Lives. Laura spent three years as a producer of the internationally-syndicated The Movie Show and two years at the helm of the primetime Global series Inside Entertainment. Her resume also includes charity projects for organizations such as the Variety Club of Calgary and the United Way.
George Browne has been producing television specials and documentaries for almost twenty years including Thin Ice (Global Warming in Canada’s Arctic), Recruitment for Terror, Know Your Enemy (al Qaeda’s Third Wave), The Spirit of Bill Reid which has won international and national awards including a Jack Webster award for best television special, Tweens – Too Fast Too Soon. He has won over 15 National and International awards for his news and documentary work including 5 Gemini nominations. George is also the founding Executive Producer of Global National News with Kevin Newman.

Climate change is an interconnected relationship between society and the ecosystem. A stylistic colourful animation on the impact of our actions on the environment.

Climate change is an interconnected relationship between society and the ecosystem. A stylistic colourful animation on the impact of our actions on the environment.
Colleen MacIsaac studied at Victoria School of the Performing and Visual Arts in Edmonton before studying animation at the Emily Carr Institute. Her practice spans disciplines ranging from illustration to performance art, and she has recently been exploring sequential art and self-publishing both mini-comics and web-comics. She enjoys adventures, artichokes, and walking. Warming is her first film.