An award-winning director, Ann Shin’s credits include Cow vs Clown, Four Seasons Mosaic, The Roswell Incident, Almost Real and Western Eyes. Her films have screened and won medals in festivals including the New York Festival, Columbus International Festival, Mumbai International Festival, World Arts Festival on Human Rights, Montreal World Film Festival, the Big Sky Documentary Film Festival.
Niel Spiegel is the product of billions of years of evolution.

Off the coast of Senegal and under the thickness of night both Senegalese and European fishermen ready themselves for the big catch. They have one goal in mind but two different techniques in trying to accomplish their task. The Europeans use the latest technological devices to reap the wealth of the sea for European markets, while Senegalese fishermen use traditional nets to catch what remains - to nourish 600,000 of their people.
With radars and GPS the Europeans can fish for two months with no interruption. The Senegalese fishermen try to detect fish stocks by water movements, moon reflection on fish scales and using special amulets provided by spiritual guides from their villages. Whichever technique becomes more successful than the other, will only result in dire consequences; it’s just a matter of time!

Off the coast of Senegal and under the thickness of night both Senegalese and European fishermen ready themselves for the big catch. They have one goal in mind but two different techniques in trying to accomplish their task. The Europeans use the latest technological devices to reap the wealth of the sea for European markets, while Senegalese fishermen use traditional nets to catch what remains - to nourish 600,000 of their people.
With radars and GPS the Europeans can fish for two months with no interruption. The Senegalese fishermen try to detect fish stocks by water movements, moon reflection on fish scales and using special amulets provided by spiritual guides from their villages. Whichever technique becomes more successful than the other, will only result in dire consequences; it’s just a matter of time!
Cafi Mohamud graduated from the Milan Film School and has worked in several films as an assistant director. Since 2001 he has made documentaries for NGOs in Italy, Cuba, Bosnia, Brazil, Senegal and China.
Wine growers and pest birds are at war in the Marlborough Vineyards of New Zealand. It is a losing battle, except for one possibility. Can the New Zealand Falcon save the grapes? Fledgling Expectations reveals the efforts of two young falcon sisters taking part in an unusual project.
Wine growers and pest birds are at war in the Marlborough Vineyards of New Zealand. It is a losing battle, except for one possibility. Can the New Zealand Falcon save the grapes? Fledgling Expectations reveals the efforts of two young falcon sisters taking part in an unusual project.
Fledging Expectations was co-created by Aneeta Chana and Sally Williams as part of the Natural History Filmmaking and Communications Post Graduate Diploma course at the University of Otago, New Zealand.
“I eat food every day. I don’t know where it comes from or how it’s made.”
Most of us don't think twice about the chemicals being sprayed on our food, but the Hoffmann family does. Through a personal visual diary of his experience on a community farm, filmmaker Richard Hoffmann examines the natural practice of food production. Using a digital still camera, Richard took roughly 20,000 pictures of vegetables and herbs, insect life, and human activity on the farm with the hope of staying connected to the food he and his family eat. Fridays at the Farm is a cinematic portrait of organic community farming and the enrichment of life for all those who participate in such practice.
“I eat food every day. I don’t know where it comes from or how it’s made.”
Most of us don't think twice about the chemicals being sprayed on our food, but the Hoffmann family does. Through a personal visual diary of his experience on a community farm, filmmaker Richard Hoffmann examines the natural practice of food production. Using a digital still camera, Richard took roughly 20,000 pictures of vegetables and herbs, insect life, and human activity on the farm with the hope of staying connected to the food he and his family eat. Fridays at the Farm is a cinematic portrait of organic community farming and the enrichment of life for all those who participate in such practice.
After graduating from New York University in 1996, Richard Power Hoffmann began creating a variety of personal and work-for-hire projects. The script for his feature film debut, Invisible Mountains, was awarded a 2002 screenwriting fellowship from the Pennsylvania Council on the Arts. The completed film went on the win Best Feature at the 2003 DV Film Festival and a 2005 PCA media arts fellowship.
Red ripe tomatoes, fresh green basil and sweet bell peppers can all be found growing in the historic Toronto neighborhood of Little Italy. A rich assortment of produce provides for generations of families, as these gardens quietly humanize the populous urban landscape. The diversity of food grown in the gardens of little Italy mirror the diverse communities of people who have immigrated from other countries and have settled into the area. To many, these gardens grow the roots that help sustain ones culture, land and community.
Community Partner: Coach House Books
Red ripe tomatoes, fresh green basil and sweet bell peppers can all be found growing in the historic Toronto neighborhood of Little Italy. A rich assortment of produce provides for generations of families, as these gardens quietly humanize the populous urban landscape. The diversity of food grown in the gardens of little Italy mirror the diverse communities of people who have immigrated from other countries and have settled into the area. To many, these gardens grow the roots that help sustain ones culture, land and community.
Karen Shenfeld is a filmmaker, researcher, and widely published freelance writer and poet based in Toronto. She has worked as a head researcher on a number of television documentaries produced by YAP FILMS, including Friendly Fire. Il Giardino, The Gardens of Little Italy is her first independent film.
Aube Giroux was born in Montreal and grew up in Wolfville, Nova Scotia. She has a Bachelor of Fine Arts from NSCAD University and is currently completing an MFA in Film Production at York University in Toronto. Aube’s films have been broadcast on CBC and shown at various Canadian film festivals. She recently spent 2 years in Europe working with Oscar-winning company Bard Entertainments in London as well as Article Z in Paris. Her films focus on environmental and social issues.
With the onset of peak oil looming over the world as a spectre, a crucial conversation has begun, to seek solutions for coping with depleting levels of oil. We can learn lessons from the only country to have survived such a peak oil crisis: Cuba.
The collapse of the Soviet Union in 1990 drew Cuba into an economic catastrophe. Overnight, the country lost more than half of its oil imports and 80 percent of its food capacity. Against all odds, the country coped remarkably well by creating a sustainable local economy focusing largely on organic agricultural methods while preserving Cuba’s socialist ideals.
With the onset of peak oil looming over the world as a spectre, a crucial conversation has begun, to seek solutions for coping with depleting levels of oil. We can learn lessons from the only country to have survived such a peak oil crisis: Cuba.
The collapse of the Soviet Union in 1990 drew Cuba into an economic catastrophe. Overnight, the country lost more than half of its oil imports and 80 percent of its food capacity. Against all odds, the country coped remarkably well by creating a sustainable local economy focusing largely on organic agricultural methods while preserving Cuba’s socialist ideals.
Faith Morgan is a board member of Community Service, Inc., (CSI) a non-profit organization founded in 1940 to research and promote small communities. Faith traveled to Cuba three times to study the after effects of the fall of the USSR, when over half of Cuba's oil subsidies were suddenly cut off. She felt it important for the organization to tell the story of this major social disaster and Cuba's creative response to living without cheap and abundant oil. Morgan, a painter, potter, sculptor, and writer turned to film for the first time to tell this story.

Some call it poison others hail it as environmentally friendly. Who’s telling us the truth about Fertile Residual Material (FRM) aka sludge and who’s lying? The foods that we eat are mostly produced on land fertilized by digester sludge containing dangerous substances. The consequences have been disastrous so far and most feel that governments need to ban its usage instead of regulating it.
The continued use of sewage sludge in agriculture and regulating its use to prevent harmful effects on soil, vegetation, animals and man - is an ongoing debate.

Some call it poison others hail it as environmentally friendly. Who’s telling us the truth about Fertile Residual Material (FRM) aka sludge and who’s lying? The foods that we eat are mostly produced on land fertilized by digester sludge containing dangerous substances. The consequences have been disastrous so far and most feel that governments need to ban its usage instead of regulating it.
The continued use of sewage sludge in agriculture and regulating its use to prevent harmful effects on soil, vegetation, animals and man - is an ongoing debate.
Born in 1950 at Granby, Mario Desmarais is a writer, director and producer. His main theme of interest is the food industry. Food and agriculture are crucial socioeconomics matters and the food safety of the Earth depends on it. He presents multiple sides of a story with a singular purpose: to debate.

Reinhold and his fellow sheep-breeding colleagues do shift work in the city, with the rest of their waking hours spent tending meticulously to their beloved Valais Blacknose sheep. The sheep of the Swiss Alps are not bred for their wool, nor for their meat, but rather for their good looks that bring pride and prestige to their owners. The obsession is lost on the wives and children of the sheep farmers; they are perplexed with this labour of love. A sensitive and charming tale about the strong affections between a farmer, his sheep and a vanishing way of life.
Co-Presented by Hot Docs Film Festival, Community Partner: Student Association of George Brown College

Reinhold and his fellow sheep-breeding colleagues do shift work in the city, with the rest of their waking hours spent tending meticulously to their beloved Valais Blacknose sheep. The sheep of the Swiss Alps are not bred for their wool, nor for their meat, but rather for their good looks that bring pride and prestige to their owners. The obsession is lost on the wives and children of the sheep farmers; they are perplexed with this labour of love. A sensitive and charming tale about the strong affections between a farmer, his sheep and a vanishing way of life.
Sylviane Neuenschwander was born in Basel. She studied medicine at the University of Lausanne and later social anthropology and film sciences at the University of Berne and Zurich. She works as independent film maker, social-anthropologist and medical doctor.

Stig-Anders is considered an anomaly by his neighbors and those who know him. With his horses as his main companions, he lives alone on a farm in the southern forests of Sweden, with little connection to the modern world. He romanticizes the past and refuses to give up his old way of life. The horseman falls on hard times when a furious storm hits his beloved forest, causing him to be hospitalized. Away from his farm he has little reason to live, until a friend from the past helps him find his way home. A beautifully shot and intimate portrait study of one mans relationship to the land, and to the past which he refuses to leave behind.

Stig-Anders is considered an anomaly by his neighbors and those who know him. With his horses as his main companions, he lives alone on a farm in the southern forests of Sweden, with little connection to the modern world. He romanticizes the past and refuses to give up his old way of life. The horseman falls on hard times when a furious storm hits his beloved forest, causing him to be hospitalized. Away from his farm he has little reason to live, until a friend from the past helps him find his way home. A beautifully shot and intimate portrait study of one mans relationship to the land, and to the past which he refuses to leave behind.
Peter Gerdehag is one of Sweden’s most published photographers, with a forty year career working for newspapers, magazines and books. His specialties are nature and the landscape cultivated by man. He made transition to film making with the highly acclaimed film Bondens tid på jorden (The Life and Death of a Farmer). The Incredible Horseman is his second film, also shot in a rural landscape. Peter’s remarkable camera work gained him a nomination for a “Golden bug”, Sweden’s highest film award, for his work.
Tell Johansson is a young, talented film editor, who has been awarded for almost every film he has worked on. He has co-directed both films by Peter Gerdehag.
During the summer of 2006, chef Michael Stadtlander journeyed on his biodiesel/solar powered kitchen bus, The Liberator, with his family and a group of apprentices from his farm in Ontario heading west to Vancouver, Quadra and Cortes Islands, in British Columbia. He was returning to the province that nurtured and inspired his early days as a chef in Canada. In each locale he encounters artists, farmers, oyster cultivators, environmentalists and loggers dedicated to environmentally sustainable business practices and the bounty of their islands. In plein-air dinners made with locally raised and foraged ingredients he lavishes his local guests with the delectable creations of his edible art. You will wish you were there.
During the summer of 2006, chef Michael Stadtlander journeyed on his biodiesel/solar powered kitchen bus, The Liberator, with his family and a group of apprentices from his farm in Ontario heading west to Vancouver, Quadra and Cortes Islands, in British Columbia. He was returning to the province that nurtured and inspired his early days as a chef in Canada. In each locale he encounters artists, farmers, oyster cultivators, environmentalists and loggers dedicated to environmentally sustainable business practices and the bounty of their islands. In plein-air dinners made with locally raised and foraged ingredients he lavishes his local guests with the delectable creations of his edible art. You will wish you were there.
Michael Stadtlander’s Collingwood, Ontario-based Eigensinn Farm was named one of the top-10 restaurants in the world by Restaurants magazine (2002). For the past 10 years Michael and his wife Nobuyo have welcomed small groups of visitors to the farm to enjoy haute cuisine created from ingredients produced on Eigensinn or neighbouring farms. Stadtlander, has been the Chef at several Toronto restaurants and is a recognized supporter and promoter of sustainable cuisine and organic food. Recently he received the 2007 Organic Supporter Hero Award from the Canadian Organic Growers.