The story begins with a wide shot of Colombian houses on top of each other, on top of a hill. The shot continues down the hill. The houses that surround us are composed of delirious architecture. A neighbourhood filled with history of social and political upheavals. It is a short journey. It is a poetic journey, a tribute to the creative strength of youth and self-representation.
The story begins with a wide shot of Colombian houses on top of each other, on top of a hill. The shot continues down the hill. The houses that surround us are composed of delirious architecture. A neighbourhood filled with history of social and political upheavals. It is a short journey. It is a poetic journey, a tribute to the creative strength of youth and self-representation.
Jorge Lozano, a Columbian, has had his work exhibited internationally at such festivals as Toronto Film Festival, Sundance Film Festival, Argos Arts (Belgium), Rio Film Festival, Museum of Modern Art in Bogota. He is co-director and programmer of aluCine Latin@ Toronto Media Arts Festival.
Guillermina Buzio completed a degree in Fine Arts in Buenos Aires at the Escuela Nacional de Bellas Artes Prilidiano Pueyredon and a Bachelor of Media Arts degree at the Emily Carr Institute of Art and Design. She is a video instructor in Toronto and Cali, Colombia for the Latin@ Youth in Conflict, and currently works at aluCine Toronto Latin@ Media Festival as a programmer, Festival Coordinator and Curator.
Russian documentary filmmaker Sergei Loznitsa brings the haunting images of the Siege of Lenningrad back into our collective memory in his reflection on the atrocities that happened in the past, lest we forget. From September 1941 to January 1944, lasting over 900 days, Hitler attempted to starve the city of Leningrad into submission. The siege of Leningrad was the longest of its kind during World War II, causing over half a million people to die, mostly from starvation.
Using rarely seen footage from the Soviet film archives, Loznitsa recreates a stunning historical account of the Siege, creating a state of the art soundtrack to accompany the silent footage. Blockade shows the gradual transformation of Leningrad: from its defensive beginnings to a horrific aftermath.
Russian documentary filmmaker Sergei Loznitsa brings the haunting images of the Siege of Lenningrad back into our collective memory in his reflection on the atrocities that happened in the past, lest we forget. From September 1941 to January 1944, lasting over 900 days, Hitler attempted to starve the city of Leningrad into submission. The siege of Leningrad was the longest of its kind during World War II, causing over half a million people to die, mostly from starvation.
Using rarely seen footage from the Soviet film archives, Loznitsa recreates a stunning historical account of the Siege, creating a state of the art soundtrack to accompany the silent footage. Blockade shows the gradual transformation of Leningrad: from its defensive beginnings to a horrific aftermath.
Born in Baranowitshi, White Russia, Sergei Loznitsa is a graduate from the Kiev Polytechnic University. His directorial credits include such award winning films as Today We Are Going to Build a House, Life, Autumn, The Train Stop and Landscape which was the recipient of Le Prix Du Meilleur Documentaire Étranger at Filmer à tout Prix Film Festival Brussels 2004.
What would the future look like if the natural world was gone? A music inspired video that imagines what childhood would be like in a post-industrial landscape.
What would the future look like if the natural world was gone? A music inspired video that imagines what childhood would be like in a post-industrial landscape.
Andrew Watson is a photographer, director, DP, editor, and web-designer. He is interested in all forms of media. His work includes feature length documentary, music videos and narratives. Andrew has worked with local and national TV stations, art galleries, independent record labels, non-profits, larger establishments and independent directors.
Xavi Sala, born in Alacant in 1971, has a university degree in Communications. He has worked as director and production assistant, screenwriter for cinema and television and advertising creative and has written screenplays for feature films. As a screenwriter, he has written Periodistas, Vidas Paralelas and Sabor a ti all of which were TV shows. His short film credits include 60 años, Maleteros, Los Padres and Hiyab.
Red ripe tomatoes, fresh green basil and sweet bell peppers can all be found growing in the historic Toronto neighborhood of Little Italy. A rich assortment of produce provides for generations of families, as these gardens quietly humanize the populous urban landscape. The diversity of food grown in the gardens of little Italy mirror the diverse communities of people who have immigrated from other countries and have settled into the area. To many, these gardens grow the roots that help sustain ones culture, land and community.
Community Partner: Coach House Books
Red ripe tomatoes, fresh green basil and sweet bell peppers can all be found growing in the historic Toronto neighborhood of Little Italy. A rich assortment of produce provides for generations of families, as these gardens quietly humanize the populous urban landscape. The diversity of food grown in the gardens of little Italy mirror the diverse communities of people who have immigrated from other countries and have settled into the area. To many, these gardens grow the roots that help sustain ones culture, land and community.
Karen Shenfeld is a filmmaker, researcher, and widely published freelance writer and poet based in Toronto. She has worked as a head researcher on a number of television documentaries produced by YAP FILMS, including Friendly Fire. Il Giardino, The Gardens of Little Italy is her first independent film.
A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognizing his own vulnerability. La Gallina Ciega is a testament to the 5 senses.
A blind man accidentally loses his guide-dog. Alone in the dark in a big city, he discovers that his strength lies in recognizing his own vulnerability. La Gallina Ciega is a testament to the 5 senses.
Isabel Herguera is a graduate in Fine Arts from the University of the Basque Country, EHU/UPV, and from the Kustakademie in Düsseldorf (Germany). In 1994 she obtained a Master of fine arts at the California Institute of the Arts (USA). She has been directing Animac - the Muestra Internacional de Cine de Animacion de Cataluña, in Lleida, since March 2004.
One person’s castaway is another person’s treasure. Second-hand clothing has become the main import in some African countries where it’s responsible for dressing 90% of the population. Around the world, most of us tend to keep up with fashion trends and we shop for new clothes at stores that carry name brands. In Africa the recycled use of articles of clothing is called “dead men’s clothing” – because no one would think of throwing away something you can still use. Unless the person it belonged to was actually dead.
Mitumba is the simple story of a t-shirt; its journey from the north to the south of the world, told by the people involved in the second-hand clothing trade.
Co-Presented by Eco-Media Direct Inc.
One person’s castaway is another person’s treasure. Second-hand clothing has become the main import in some African countries where it’s responsible for dressing 90% of the population. Around the world, most of us tend to keep up with fashion trends and we shop for new clothes at stores that carry name brands. In Africa the recycled use of articles of clothing is called “dead men’s clothing” – because no one would think of throwing away something you can still use. Unless the person it belonged to was actually dead.
Mitumba is the simple story of a t-shirt; its journey from the north to the south of the world, told by the people involved in the second-hand clothing trade.
Raffaele Brunetti has been producing and directing documentaries since 1987, working mainly in Italy and the Middle East. His latest film Mitumba received several awards internationally. Brunetti is the founder of B&B Film, a dynamic Italian production house based in Rome and is a member of the Foreign Press Association in Italy, EDN (European Documentary Network), and Doc/it (Organization of Italian Documentary Makers).

In the midst of China’s booming industrial revolution, the city of Shanghai provides ample evidence of rising economic prosperity. With many businesses looking towards the future, Mr. Wong prefers to invest in the past. A wealthy Chinese-Canadian billionaire, Mr. Wong is spending his fortune salvaging historical buildings in Shanghai, discreetly under the radar of the Chinese government. His dream is to create a historical utopia, in which artistic and cultural exchange can flourish. Mr. Wong’s world is a compelling and critical look at the ethics, strategies and alliances necessary to preserve China’s past in the modern era.
Co-Presented by the Reel Asian Film Festival

In the midst of China’s booming industrial revolution, the city of Shanghai provides ample evidence of rising economic prosperity. With many businesses looking towards the future, Mr. Wong prefers to invest in the past. A wealthy Chinese-Canadian billionaire, Mr. Wong is spending his fortune salvaging historical buildings in Shanghai, discreetly under the radar of the Chinese government. His dream is to create a historical utopia, in which artistic and cultural exchange can flourish. Mr. Wong’s world is a compelling and critical look at the ethics, strategies and alliances necessary to preserve China’s past in the modern era.
Born in Berlin, Christian Schidlowski studied directing and script writing at ‘Deutsche Film- und Fernsehakademie’ in Berlin. In 2004 he graduated from the New York University with the documentary film 7 Days in the Life of My Friends. Since 2001 he has worked as an independent author, director and editor for various documentaries and reportages for national and international broadcasters.

Do you ever wonder why there is always a line up at women’s public restrooms, and never one at the men’s? In North America, most would argue that it is a simple issue of biology, but in India perhaps it’s more a matter of design…
Q2P is a contemplative study of how gender and class inequalities are revealed through toilets; something we normally take for granted. Set in Mumbai, India, where women going to the loo alone is stigmatized, the film looks at who has to queue to pee, and how urban centre design becomes gendered by this social prohibition.
Co-Presented by the Female Eye Film Festival

Do you ever wonder why there is always a line up at women’s public restrooms, and never one at the men’s? In North America, most would argue that it is a simple issue of biology, but in India perhaps it’s more a matter of design…
Q2P is a contemplative study of how gender and class inequalities are revealed through toilets; something we normally take for granted. Set in Mumbai, India, where women going to the loo alone is stigmatized, the film looks at who has to queue to pee, and how urban centre design becomes gendered by this social prohibition.
Paromita Vohra is a filmmaker and writer. Her writing for film includes the feature films Khamosh Pani (dir: Sabiha Sumar) which she won the Best Screenplay award at the Kara Film Festival, 2003and the Indian adaptation of Ang Lee’s Eat Drink Man Woman (in Development, Dir: Arjun Sajnani) . She writes a fortnightly column in the Mumbai Mirror and is a regular contributor to various journals in India and internationally.
Just weeks after its discovery, residents of Singapore quickly realized that Chek Jawa - the last remaining untouched inter-tidal area in Singapore - was doomed for urban development. One final attempt is made by a group of volunteers to preserve Chek Jawa, in their minds and in their hearts. An action leads to an unsuspecting shift in government policy, forever changing the course of Nature Conservation in Singapore.
Just weeks after its discovery, residents of Singapore quickly realized that Chek Jawa - the last remaining untouched inter-tidal area in Singapore - was doomed for urban development. One final attempt is made by a group of volunteers to preserve Chek Jawa, in their minds and in their hearts. An action leads to an unsuspecting shift in government policy, forever changing the course of Nature Conservation in Singapore.
Born in Singapore, Eric Lin received an Advance Diploma in Film Production (Cinematography) from Ngee Ann Polytechnic University in 2005. He has worked as a freelance cameraman, editor and technical producer and has taught camera/lighting workshops at the National University of Singapore.
A man wakes up to discover that his home and way of life are being destroyed due to urban development. An experimental animated short depicting the harsh displacement of communities in developing nations due to economic progress.
A man wakes up to discover that his home and way of life are being destroyed due to urban development. An experimental animated short depicting the harsh displacement of communities in developing nations due to economic progress.
Aditi Chitre is a painter/ animation artist based in Mumbai and also works as a freelance story board artist and illustrator. The Mall on Top of My House is her first film. She trained as a painter from the faculty of fine art (BFA 2004), Msu Baroda, Gujarat and recently held her first exhibition of paintings in Mumbai. She also freelances as an art and film reviewer for mattersofart.com.
Much has been said about the increase of violence in Toronto. It is clear that death at the hands of a gun is tragic and senseless, but what become of those who survive?
The Survivors Project explores the traumatic impact and implications of gun violence on young people and young black men in particular, living in low-income radicalized neighborhoods. The film follows the story of an ex-gang member from “The Town” in Rexdale.
Can we learn from his experience or has it all been said too many times? Can we reach them before they are unreachable?
Much has been said about the increase of violence in Toronto. It is clear that death at the hands of a gun is tragic and senseless, but what become of those who survive?
The Survivors Project explores the traumatic impact and implications of gun violence on young people and young black men in particular, living in low-income radicalized neighborhoods. The film follows the story of an ex-gang member from “The Town” in Rexdale.
Can we learn from his experience or has it all been said too many times? Can we reach them before they are unreachable?
Larc Trotman is a filmmaker and certified arts educator with numerous community and mainstream credits. After losing his brother to a horrible act of violence in front of their apartment building, he decided that it was critical to play a small role in creating safe spaces where young people could acquire skills while discovering positive outlets of expression. The traumatic experience now informs most of his work to date. Larc is currently in development of a documentary entitled Across Generations which looks at fragmentation that exists within black families across Canada.
Austin Texas is a boomtown in the late 1970’s, a place where a west Texas farm boy believes he will make his fortune. He spearheads the fastest selling subdivision in the state until word gets out that the local treasure, a fragile limestone aquifer and naturally spring fed swimming hole is threatened. The community springs to action, fights back and forms one of America’s strongest environmental movements. Later, the whole Savings and Loans scandal of the 1980’s explodes, putting development on hold. But the story doesn’t end there. This visually stunning meditative work of art makes us ponder our understanding of property rights, public space, development, and our ability to be custodians of the natural world. When we dream, what are we really wishing for?
Austin Texas is a boomtown in the late 1970’s, a place where a west Texas farm boy believes he will make his fortune. He spearheads the fastest selling subdivision in the state until word gets out that the local treasure, a fragile limestone aquifer and naturally spring fed swimming hole is threatened. The community springs to action, fights back and forms one of America’s strongest environmental movements. Later, the whole Savings and Loans scandal of the 1980’s explodes, putting development on hold. But the story doesn’t end there. This visually stunning meditative work of art makes us ponder our understanding of property rights, public space, development, and our ability to be custodians of the natural world. When we dream, what are we really wishing for?
Laura Dunn started making documentaries in response to her undergraduate experience at Yale University. Through a chronicle of labor strikes on campus, The Subtext of a Yale Education (1999) she examined the corporatization of higher education. Other works include Green (2000), a sobering look at environmental racism along the Mississippi River petrochemical corridor, a.k.a. "Cancer Alley" and Become the Sky (2002), an ecological map of power in Texas. Honours for her works include a Rockefeller Media Arts Fellowship and Yale's Trumbull College Fine Arts Prize. The Unforseen is her first feature film.

The Third Ward is a neighborhood in Houston, Texas that was historically populated by African-Americans. However, in the 60’s the city ran a highway through the area isolating 30, 000 people; dividing and wrecking the tight, vibrant community that once was.
Later in 90’s a group of artist developed The Row House Project with a mission to bring life back to the community through the love of art. In the process, these artists-turned-activists transformed lives - starting with their own.
Third Ward TX is a revealing look at a community's struggle to survive - from segregation to the limited promise of integration, from drug wars to the economic challenges of gentrification. It is a story of imagination and hope, passed along person to person through the love of art and community.

The Third Ward is a neighborhood in Houston, Texas that was historically populated by African-Americans. However, in the 60’s the city ran a highway through the area isolating 30, 000 people; dividing and wrecking the tight, vibrant community that once was.
Later in 90’s a group of artist developed The Row House Project with a mission to bring life back to the community through the love of art. In the process, these artists-turned-activists transformed lives - starting with their own.
Third Ward TX is a revealing look at a community's struggle to survive - from segregation to the limited promise of integration, from drug wars to the economic challenges of gentrification. It is a story of imagination and hope, passed along person to person through the love of art and community.
Andrew Garrison is an independent filmmaker who has worked on documentaries dealing with issues of community, culture and poverty. Garrison is the recipient of fellowships from the Guggenheim and Rockefeller Foundations, the NEA and the American Film Institute. Andrew lives in Austin, Texas where he teaches film production at the University of Texas.

From evolution through urban development to obliteration, this witty animated short film looks at the ironic relationship between growth and destruction.

From evolution through urban development to obliteration, this witty animated short film looks at the ironic relationship between growth and destruction.
Born and raised in Hamilton, Ontario, Chris Paré graduated from Sheridan College and made films that have screened at North American festivals including the Montreal World Film Festival, Canadian Filmmakers Festival and the 48 Hour Toronto Film Challenge (Audience Choice Award). Chris is currently completing his latest short film and writing a feature length screenplay.
Birds, especially migratory birds, are hitting windows all over North America and all over the world – Toronto is no exception. Meet the volunteers behind Fatal Light Awareness Program in their efforts to seek out the injured and the dead. In association with Dr. Daniel Klem, an ornithologist, they find birds stunned beside buildings, clinging to walls, frantically flying between high-rises, and lying dead on asphalt. Birds are under serious threat, as their contribution to the ecosystem through pollination and seed distribution is in serious decline. A fact finding mission which will raise awareness of fowl play in the built environment.
Birds, especially migratory birds, are hitting windows all over North America and all over the world – Toronto is no exception. Meet the volunteers behind Fatal Light Awareness Program in their efforts to seek out the injured and the dead. In association with Dr. Daniel Klem, an ornithologist, they find birds stunned beside buildings, clinging to walls, frantically flying between high-rises, and lying dead on asphalt. Birds are under serious threat, as their contribution to the ecosystem through pollination and seed distribution is in serious decline. A fact finding mission which will raise awareness of fowl play in the built environment.
After a career in music, concern for the environment took Deanna Ford back to school to pursue a Master in Environmental Studies Degree at York University. Bird-window collisions are the first topic of hopefully many as she makes the switch to video advocacy to raise awareness about environmental issues.

In protest of their illegal, yet allegedly scientific whaling practices in Antarctic waters, Greenpeace parks a giant whale carcass outside the Japanese Embassy in Berlin for all to see. Arriving unannounced, the presence of the whale captivates the citizens of Berlin and reaches millions of viewers around the world. A testament of how an environmental tragedy can be transformed into greater public awareness.

In protest of their illegal, yet allegedly scientific whaling practices in Antarctic waters, Greenpeace parks a giant whale carcass outside the Japanese Embassy in Berlin for all to see. Arriving unannounced, the presence of the whale captivates the citizens of Berlin and reaches millions of viewers around the world. A testament of how an environmental tragedy can be transformed into greater public awareness.
Martina Dase studied German Literature Studies & Media Sciences at Berlin's Free University. In 1993 she began her film career directing documentaries for the broadcaster Sender Freies Berlin (SFB), for First German Television (ARD) and arte. She has filmed on location in Kenya, South Africa, Cameroon, Mali, Ghana, the U.S. and many European countries. Since 2005 Martina has worked as director of communications for Greenpeace Germany in Hamburg. She has witnessed the fall of the Berlin wall, the inauguration of Nelson Mandela as President of State in South Africa and a personal meeting with Muhammad Ali.
Composting is in, in New York City! In the Brooklyn Botanical Garden, along East River, in idyllic backyards and community gardens environmental activists go to great lengths to transform their garbage into gardens. So does a classroom of first graders learn about worms in the Big Apple and how they are integral to the cyclical processes of composting. Nature makes a comeback in the big city and ironically the abundance of waste has made it all possible.
Composting is in, in New York City! In the Brooklyn Botanical Garden, along East River, in idyllic backyards and community gardens environmental activists go to great lengths to transform their garbage into gardens. So does a classroom of first graders learn about worms in the Big Apple and how they are integral to the cyclical processes of composting. Nature makes a comeback in the big city and ironically the abundance of waste has made it all possible.
Jenn Guitart is a writer, filmmaker, and graduate of NYU’s program in culture and media. Worms in the Big Apple is her first film. She is currently shooting at close range, aiming the camera toward her growing family, as she explores the cinematic potential of early parenthood.
Cyclists unite! A quirky feature about the critical mass movement, which has commuters, bike enthusiasts, activists and environmentalists reclaiming city streets en masse. You Never Bike Alone is an activist film; about a growing grassroots movement that protests, barters and re-imagines a more bike-friendly world that brings together communities to promote a healthier and more sustainable environment.
Community Partner: YWalk & Student Association of George Brown College
Cyclists unite! A quirky feature about the critical mass movement, which has commuters, bike enthusiasts, activists and environmentalists reclaiming city streets en masse. You Never Bike Alone is an activist film; about a growing grassroots movement that protests, barters and re-imagines a more bike-friendly world that brings together communities to promote a healthier and more sustainable environment.
A long-time cyclist, Robert Alstead has worked on numerous short films and documentary projects. In You Never Bike Alone he has weaved together footage shot by himself and by bicycle activists over the course of the last decade. He has contributed articles on filmmaking, the arts, and current affairs, to a variety of publications including The Georgia Straight, The Guardian, The Independent, and The Scotsman. You Never Bike Alone is his first full-length feature documentary.